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Floral Embroidery Usa Style Fashion Party and Banquet Men's Flats Widh

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Garment consisting of a bodice and brim fabricated in 1 or more pieces

Various examples of dresses

A dress (besides known as a frock or a gown) is a garment traditionally worn past women or girls consisting of a skirt with an attached bodice (or a matching bodice giving the effect of a jumpsuit garment).[i] It consists of a tiptop piece that covers the torso and hangs downward over the legs. A dress can be whatever jumpsuit garment containing a skirt of any length, and tin exist formal or casual.

A dress can accept sleeves, straps, or be held up with elastic around the chest, leaving the shoulders bare. Dresses as well vary in color.

The hemlines of dresses vary depending on modesty, weather condition, manner or the personal taste of the wearer.[2]

Overview [edit]

Dresses are outer garments made upward of a bodice and a brim and tin can exist made in one or more pieces.[3] [4] Dresses are by and large suitable for both formal wear and casual wear in the Due west for women and girls.[4]

Historically, dresses could likewise include other items of clothing such as corsets, kirtles, partlets, petticoats, smocks, and stomachers.[5] [half dozen] [7]

History [edit]

11th century [edit]

In the 11th century, women in Europe wore dresses that were similar to men's tunics and were loose, with a hemline reaching to below the knees or lower.[8] By the cease of the century, these dresses featured a tighter fit on the arms and women'due south upper bodies.[8] Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in gild to fit a woman's effigy.[9]

16th century [edit]

Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet.[five] Undergarments were non worn underneath.[5] In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear.[10] French women were inspired past Spanish-style bodices and also wore ruffs.[10] French dresses were known equally marlottes.[11] In Italy, dresses were known as ropa and semarra. [eleven] Dresses in the 16th century also displayed surface decoration such equally embroidery, with blackwork being especially popular.[12]

Women'due south dresses in Russia during both the 16th and 17th centuries identified a woman'south place in society or their family unit.[13]

17th century [edit]

The netherlands, as a middle of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century.[7] In Spain and Portugal, women wore stomachers [seven] while in England and France, dresses became more "naturally" shaped.[7] Lace and slashing were popular decorations.[7] Skirts were total, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric.[vii] Necklines became lower likewise.[7] Embroidery that reflected scientific discoveries, such as newly discovered animals and plants were popular.[14] In the British Colonies, multi-piece dresses were also popular, though less luxurious.[fifteen] Wealthy women living in the Spanish or Dutch colonies in the Americas copied the fashions that were popular from their homelands.[16]

The three-slice apparel, which had a bodice, petticoat and gown, was popular until the last 25 years of the century, in which the mantua, or a one-piece gown, became more popular.[17] Corsets became more than important in dresses by the 1680s.[xviii]

Working women, and women in slavery in the Americas, used uncomplicated patterns to create shifts, wool or linen petticoats and gowns and cotton fiber dresses.[19] The bottoms of the skirts could be tucked into the waistband when a woman was near a cooking or heating fire.[19]

18th century [edit]

Analogy of 18th century French women

Large, triangular silhouettes were favored during the 18th century, skirts were wide and supported by hoop underskirts.[20] [21] One-piece gowns remained popular until the heart of the century.[22] During the 1760s in France, hoop petticoats were reduced in size.[23] Lighter colors and lighter fabrics were also favored.[24] In Colonial America, women most frequently wore a gown and petticoat, in which the skirt of the gown opened to reveal the petticoat underneath.[25] Women likewise had riding habits which consisted of the petticoat, jacket and a waistcoat.[25]

French fashion regarding dresses became very fast-irresolute during the after part of the 18th century.[26] Throughout this period, the length of fashionable dresses varied only slightly, betwixt ankle-length and floor-sweeping.[2] Between 1740 and 1770, the robe à la française was very popular with upper-class women.[27] In French republic, the Empire manner became popular later the French Revolution.[28] This more than unproblematic mode was as well favored past Josephine Bonaparte,[28] wife of Napoleon. Other popular styles during the revolution included tunic dresses and the negligée à la patriot, which featured the red, white and blue colors of the flag.[29]

19th century [edit]

Women's dresses in the 19th century began to be classified past the time of twenty-four hour period or purpose of the dress.[30] High-waisted dresses were popular until effectually 1830.[30]

Early on nineteenth century dresses in Russia were influenced by Classicism and were made of thin fabrics, with some semi-transparent.[31] Elizabeth Vigée Le Brun wore these types of dresses with a short skirt (reaching to her ankles) when she lived in Russia between 1785 and 1801[31] and many Russian women copied her style.[31] By the 1840s, Russian women were turning to what was in style in Europe.[32]

Europeans styles in dresses increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s,[33] then fullness was draped and fatigued to the back.[34] Dresses had a "day" bodice with a high neckline and long sleeves, and an "evening" bodice with a depression neckline (decollete) and very curt sleeves. In Russian federation, metal hoopskirts were known as "malakhovs."[32] Skirts of the 1860s were heavily decorated.[34]

To slumber, women in the American West wore flooring-length dresses of white cotton with high collars displaying decoration.[35] Various Native American people, such as the Navajo and the Mescalero Apache began to arrange the designs of their dresses to look more like the European Americans they came in contact with.[36] Navajo women further adapted the European designs, incorporating their own sense of dazzler, "creating hózhó." [37]

Paper sewing patterns for women to sew their own dresses started to be readily bachelor in the 1860s, when the Butterick Publishing Visitor began to promote them.[38] These patterns were graded by size, which was a new innovation.[39]

The Victorian era's dresses were tight-plumbing fixtures and decorated with pleats, rouching and frills.[28] Women in the United states of america who were involved in wearing apparel reform in the 1850s found themselves the center of attending, both positive and negative.[40] Past 1881, the Rational Clothes Society had formed in reaction to the restrictive dress of the era.[28]

20th century [edit]

In the early twentieth century, the expect popularized by the Gibson Girl was stylish.[41] The upper part of women's dresses in the Edwardian era included a "pigeon chest" look that gave mode to a corseted waist and an s-shaped silhouette.[41] Women called their dresses "waists" if one-piece, or "shirtwaists," if it consisted of a skirt and a blouse.[42] The bodice of the dresses had a boned lining.[42] Informally, wealthy women wore tea gowns at home.[43] These garments were looser, though not equally loose as a "wrapper," and made of expensive fabric and laces.[43]

By 1910, the Edwardian expect was replaced with a straighter silhouette.[44] French designer, Paul Poiret, had a huge impact on the look of the time.[44] Designs developed by Poiret were available in both boutiques and also in department stores.[45] Pop dresses of the time were one-piece and included lingerie dresses which could be layered.[46] At around the same time, in the United States, the American Ladies Tailors' Association developed a dress chosen the suffragette suit, which was practical for women to work and motion effectually in.[47] [48] Another innovation of the 1910s was the ready availability of manufacturing plant-made clothing.[49]

Waistlines started out loftier and past 1915 were below the natural waist.[46] By 1920, waistlines were at hip-level.[46] Betwixt 1910 and 1920 necklines were lower and dresses could exist curt-sleeved or sleeveless.[50] Women who worked during Earth War I preferred shorter dresses, which eventually became the dominant fashion overall.[24] In addition to the shorter dresses, waistlines were looser and the dominant colors were blackness, white and gray.[51]

Past 1920, the "new adult female" was a trend that saw lighter fabrics and dresses that were easier to put on.[52] Younger women were likewise setting the trends that older women started to follow.[52] The dresses of the 1920s could be pulled over the head, were brusque and straight.[53] It was acceptable to article of clothing sleeveless dresses during the twenty-four hour period.[53] Flapper dresses were pop until end of the decade.[54]

During Earth War II, dresses were slimmer and inspired by military uniforms.[28] Afterwards WWII, the New Wait, promoted by Christian Dior was very influential on fashion and the wait of women'due south dresses for almost a decade.[55]

Since the 1970s, no one dress type or length has dominated way for long, with short and ankle-length styles oftentimes appearing side past side in mode magazines and catalogs.[56]

Use [edit]

In most varieties of formal dress codes in Western cultures, a clothes of an advisable fashion is mandatory for women. They are also very popular for special occasions such as proms or weddings.[57] For such occasions they, together with blouse and skirt, remain the de facto standard attire for many girls and women.

Formal dress [edit]

Formal dress is the Western dress code category applicable for the special type of events like a vacation funeral or even a wedding,At that place are also different types of formal dress an example is a cocktail dress or a gown. A cocktail clothes is a residual between formal and casual and elegant and comfy. To an event with this clothes lawmaking, such as a wedding, a gown Is a long clothes, typically having a close-plumbing fixtures bodice and a flared or flowing skirt, worn on formal occasions.

Basic dress [edit]

A basic wearing apparel is a normally dark-colored dress of unproblematic blueprint which tin be worn with various accessories to adjust dissimilar occasions.[58] Different kinds of jewelry, belts, scarves, and jackets can be worn with the basic wearing apparel to dress up or downward.[59] A trivial black dress is an case of a basic dress.

Bodycon dress [edit]

A bodycon wearing apparel is a tight figure-hugging dress, oft made from stretchy textile.[sixty] The proper name derives from "body confidence"[61] or, originally, "body witting", transformed into Japanese in the 1980s every bit "bodikon".

Party wearing apparel [edit]

A party wearing apparel is a clothes worn especially for a party. Different types of party such as children's political party, cocktail party, garden party and costume political party would tend to require unlike styles of dress.[63] [64] Ane archetype way of party clothes for women in modernistic society is the trivial black apparel.[65]

Types of dresses [edit]

Time period [edit]

  • 16th century dress.

  • Calico clothes, circa 1656-1693

  • Late 17th century, wool and metallic thread.

  • Russian clothes, 1717

  • Dress circa 1750–1800, wool and chintz.

  • Clothes circa 1770–1800, chintz and printed cotton

  • Classic empire line gown, muslin with tambour, circa 1805

  • Dress and outfit, circa 1855

  • Late 19th century

  • Rayon with seed chaplet, circa 1925

  • Dance apparel, 1939

  • Twenty-four hours dress, circa 1940s

  • Blue satin cocktail wearing apparel, 1959

  • Printed wearing apparel, circa 1960

  • Jersey wearing apparel, circa 1970

Lengths [edit]

  • Gown or Long Apparel - a woman's formal apparel, usually having a floor-length skirt.[66]

  • Maxi dresses (c.1970) - maxi is a term used since the late 1960s[67] for ankle-length, typically informal dresses.[66]

  • Midi dress - a "midi" is used to refer to any apparel or brim that has a hem which hits at mid-calf – halfway between the knee and ankle.[66]

  • Knee length wearing apparel- Hemline ends at knee acme.[66]

  • Mini wearing apparel (1960s) - a very short apparel that terminates in a higher place the knee.[66] [68]

  • Micro apparel (right) with minidresses, 2008.- A microdress is an extremely brusque version of a mini.[69]

Encounter also [edit]

  • History of Western fashion
  • China poblana
  • Granny dress
  • Jumper dress
  • Lingerie dress
  • List of dresses
  • Mantua
  • Sack-dorsum gown (also known as robe à la française)
  • Squaw dress

References [edit]

Citations [edit]

  1. ^ Condra, Jill (2008). The Greenwood Encyclopedia of Habiliment Through World History: 1801 to the present. Greenwood Publishing Group. p. 59. ISBN9780313336652.
  2. ^ a b Davis, Michael (2007). Art of dress designing (1st ed.). Delhi: Global Media. ISBN978-81-904575-7-6.
  3. ^ "The definition of dress". Lexicon.com . Retrieved 29 Jan 2018.
  4. ^ a b Picken 1957, p. 101.
  5. ^ a b c Edwards 2017, p. 20.
  6. ^ Cunningham 2003, p. xx.
  7. ^ a b c d e f 1000 Edwards 2017, p. xxx.
  8. ^ a b Newman 2001, p. 113.
  9. ^ Newman 2001, p. 114.
  10. ^ a b Edwards 2017, p. 21.
  11. ^ a b Bigelow 1970, p. 110.
  12. ^ Edwards 2017, p. 23.
  13. ^ Pushkareva 1997, p. 120.
  14. ^ Edwards 2017, p. 34.
  15. ^ Staples & Shaw 2013, p. 222.
  16. ^ Havelin 2012, p. 27.
  17. ^ Edwards 2017, p. 35.
  18. ^ Bigelow 1970, p. 126.
  19. ^ a b Havelin 2012, p. 26.
  20. ^ Bigelow 1970, p. 135.
  21. ^ Bigelow 1970, p. 137.
  22. ^ Edwards 2017, p. 49.
  23. ^ Pietsch 2013, p. 400.
  24. ^ a b "Costume". Funk & Wagnalls New World Encyclopedia . 2017 – via EBSCOhost.
  25. ^ a b "A Colonial Lady's Clothing: A Glossary of Terms". Colonial Williamsburg . Retrieved 24 January 2018.
  26. ^ Pietsch 2013, p. 397-398.
  27. ^ Delpierre 1997, p. 15-xvi.
  28. ^ a b c d east "A Brief History of Women'south Way". Makers. vii September 2016. Retrieved 24 January 2018.
  29. ^ Bigelow 1970, p. 157.
  30. ^ a b Bigelow 1970, p. 183.
  31. ^ a b c Pushkareva 1997, p. 242.
  32. ^ a b Pushkareva 1997, p. 244.
  33. ^ Krohn 2012, p. 36.
  34. ^ a b Bigelow 1970, p. 188.
  35. ^ Krohn 2012, p. 37.
  36. ^ Parezo & Jones 2009, p. 384.
  37. ^ Parezo & Jones 2009, p. 384-385.
  38. ^ Darnell 2000, p. 27.
  39. ^ "Butterick History". Butterick Patterns . Retrieved 24 Jan 2018.
  40. ^ Cullen-DuPont, Kathryn (2014). Encyclopedia of Women'due south History in America. Infobase Publishing. pp. 71–72. ISBN9781438110332.
  41. ^ a b Darnell 2000, p. 9.
  42. ^ a b Darnell 2000, p. 11.
  43. ^ a b Darnell 2000, p. 13.
  44. ^ a b Darnell 2000, p. 49.
  45. ^ Darnell 2000, p. l.
  46. ^ a b c Darnell 2000, p. 53.
  47. ^ Greenberg, Molly (1 March 2017). "100 Years of Feminist History Explained in x Women's Work Suits". UNC . Retrieved 24 Jan 2018.
  48. ^ Khan, Sarah (sixteen November 2016). "The fascinating history and development of the female pantsuit". Marie France Asia . Retrieved 24 January 2018.
  49. ^ Richards 2010, p. 100.
  50. ^ Darnell 2000, p. 57.
  51. ^ Richards 2010, p. 100-101.
  52. ^ a b Darnell 2000, p. 73.
  53. ^ a b Darnell 2000, p. 77.
  54. ^ Darnell 2000, p. 105.
  55. ^ Parezo & Jones 2009, p. 383.
  56. ^ "The History of Hemlines". Women'southward History Network. 1 September 2013. Retrieved 24 January 2018.
  57. ^ Pundir, Nirupama (2007). Fashion engineering: today and tomorrow. New Delhi: Mittal Publications. ISBN978-81-8324-203-5.
  58. ^ "Definition of "basic clothes"". Retrieved 28 July 2013.
  59. ^ Janssen, Jo Ann; Ellis, Gwen (2003). Clothes Like a One thousand thousand Bucks Without Spending It! . Fleming H. Revell Company. ISBN978-0800758325.
  60. ^ Martin, Tracy (2014). The Piffling Blackness Dress: How to dress perfectly for any occasion. Ryland Peters & Minor. ISBN 9781782490210.
  61. ^ Narumi, Hiroshi. "Street Style and Its Meaning in Postwar Japan" Fashion Theory: The Journal of Dress, Body & Culture, Volume 14, Number iv, December 2010, pp. 415–438 (24). doi:x.2752/175174110X12792058833816.
  62. ^ "Wearing apparel Paco Rabanne 1967", Out of London, Paris, New York 1965–1968, V&A
  63. ^ Alexandra Black (2007), The Party Wearing apparel, ISBN978-one-902686-59-two
  64. ^ Nora Villa (1996), Children in Their Party Clothes, ISBN978-0-89676-202-two
  65. ^ Amy Holman Edelman (1998), The little black dress, ISBN978-one-85410-604-9
  66. ^ a b c d e The Vogue Sewing Book . Vogue Patterns. 1975. p. 337.
  67. ^ Cumming, Valerie; Cunnington, C.W.; Cunnington, P.E. (2010). The dictionary of way history (Rev., updated and supplemented [ed.]. ed.). Oxford: Berg. p. 130. ISBN9780857851437.
  68. ^ Delamore, Philip (29 March 2007). "Mini and Midi". The Hymeneals Dress: A Visual Sourcebook of Over 200 of the About Beautiful Gowns Ever Made. Pavilion Books. p. 122. ISBN9781862057647.
  69. ^ Cumming, Valerie; Cunnington, C. Westward.; Cunnington, P. E. (September 2010). The Lexicon of Fashion History. Berg. ISBN9781847887382.

Sources [edit]

  • Bigelow, Marybelle S. (1970). Fashion in History: Apparel in the Western World . Minneapolis, Minnesota: Burgess Publishing Company. ISBN9780808702610. way in history bigelow.
  • Brockmamn, Helen L.: The Theory of Fashion Design, Wiley, 1965.
  • Darnell, Paula Jean (2000). From Victorian to Vamp:Women's Wear 1900-1929. Reno, NV: Material Fancies. ISBN9781887402156.
  • Cunningham, Patricia A. (2003). Reforming Women's Fashion, 1850-1920: Politics, Health and Art. Kent, Ohio: The Kent Land University Press. ISBN0873387422.
  • Delpierre, Madeleine (1997). Clothes in France in the Eighteenth Century. Translated by Caroline Beamish. New Haven: Yale Academy. ISBN9780300071283.
  • Edwards, Lydia (2017). How to Read a Wearing apparel: A Guide to Irresolute Style from the 16th to the 20th Century. London: Bloomsbury Academic. ISBN9781472533272.
  • Havelin, Kate (2012). Buckskin Dresses and Pumpkin Breeches: Colonial Fashions from the 1580s to 1760s . Minneapolis: Xx-First Century Books. p. 26. ISBN9780761358879. dresses.
  • Krohn, Katherine (2012). Calico Dresses and Buffalo Robes: American West Fashions from the 1840s to the 1890s. Minneapolis: Twenty-Start Century Bookos. ISBN9780761380528.
  • Newman, Paul B. (2001). Daily Life in the Centre Ages. Jefferson, North Carolina: McFarland & Visitor, Inc. ISBN9780786408979.
  • Parezo, Nancy J.; Jones, Angelina R. (June 2009). "What's in a Name?: The 1940s-1950s 'Squaw Dress'". American Indian Quarterly. 33 (3): 373–404. doi:10.1353/aiq.0.0058. S2CID 162233209.
  • Picken, Mary Brooks (1957). The Fashion Dictionary: Fabric, Sewing, and Clothes equally Expressed in the Language of Way. New York: Funk & Wagnalls Company.
  • Pietsch, Johannes (September 2013). "On Different Types of Women'due south Dresses in France in the Louis XVI Period". Way Theory: The Journal of Dress, Body & Culture. 17 (iv): 397–416. doi:10.2752/175174113X13673474643084. S2CID 191612745.
  • Pushkareva, Natalia (1997). Women in Russian History: From the 10th to the Twentieth Century. Translated and edited by Eve Levin. Armonk, New York: M.E. Sharpe. ISBN9780765632708.
  • Richards, Marlee (2010). America in the 1910s. Minneapolis: 20-First Century Books. ISBN9780822534372.
  • Staples, Kathleen A.; Shaw, Madelyn (2013). Clothing Through American History: The British Colonial Era. Santa Barbara, California: Greenwood. ISBN9780313084607.
  • Stoykov, Lubomir (2016). Theoretical bug of fashion, Sofia: National Academy of Art. ISBN 978-954-9799-11-eight
  • Tozer, Jane, and Sarah Levitt: Textile of Gild: A Century of People and Their Wearing apparel 1770–1870, Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4

External links [edit]

  • Media related to Dresses at Wikimedia Commons

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